Wilshire Boulevard Temple has completed the Audrey Irmas Pavilion

  • Audrey Irmas Pavilion

WILSHIRE BOULEVARD TEMPLE COMPLETES 

AUDREY IRMAS PAVILION, DESIGNED BY  

OFFICE OF METROPOLITAN ARCHITECTURE (OMA), LED BY  PARTNER SHOHEI SHIGEMATSU 

In dialogue with the Temple’s 1929 Byzantine-Revival Sanctuary,  the Audrey Irmas Pavilion is OMA’s first commission from a religious institution,  and the firm’s first cultural building in California 

Wilshire Boulevard Temple has completed the Audrey Irmas Pavilion, the 55,000 square foot structure designed by the world-class architecture firm Office of Metropolitan Architecture (OMA). Led by Shohei  Shigematsu, the Audrey Irmas Pavilion is OMA’s first commission from a religious institution  and its first cultural building in California. Intentionally designed to be in dialogue with the  Temple’s historic and stunning 1929 Byzantine-Revival sanctuary, the Audrey Irmas Pavilion is  located on Wilshire Boulevard, in the heart of Koreatown/Wilshire Center, creating a bold statement from the oldest and largest synagogue in Los Angeles, and situated in the heart of a  vibrant urban center. The Audrey Irmas Pavilion is also home to the Annenberg Foundation’s  newest initiative, Wallis Annenberg GenSpace, a community space for older Angelenos. As part  of the commission, OMA founder Rem Koolhaas has designed the mezuzot, affixed to the 

doorpost entrances of the Pavilion, in recognition of the Torah’s commandment to write the  words of God “...on the doorposts of your house and upon your gates.” (Deuteronomy 6:9). 

Named the Audrey Irmas Pavilion for its lead donor, whose $30 million gift launched the capital  campaign in 2015, the gift was among the largest single donations to a temple in the United  States. “As a life-long member of the congregation and the lead donor supporting the Audrey  Irmas Pavilion, I am elated to see the building come to completion even more spectacularly than  it was originally envisioned,” said Audrey Irmas. She continued, “This building will be an  important gathering space enjoyed by the wider community for years to come, and I am  overjoyed to be a part of its beginnings.” 

In 2015, OMA was selected from a competitive field to design the building. The Audrey Irmas  Pavilion will be a platform for gathering, forging new connections with the existing campus  activities while inviting the urban realm in to create a new civic anchor. The Pavilion aims to  harness the energy of gathering by simultaneously respecting historic traditions and reflecting  modern civic needs. 

The design of the Audrey Irmas Pavilion is an expression of respect to the surrounding historic  buildings of the campus—the west façade slopes away from the existing landmark Temple  sanctuary while leaning south away from the historic school. The resulting form, carved by its  relationship to its neighbors, is both enigmatic, yet familiar. The subtle expression  simultaneously reaches out towards and embraces the main urban corridor of Wilshire  Boulevard to establish a new urban presence.  

The Pavilion features flexible spaces that are diverse in scale and spatial characters ideal for  gatherings large and intimate. It comprises three distinct gathering spaces that puncture through  the building—a Grand Ballroom, a smaller Chapel/event space, and a sunken garden. The three  interlocking gathering spaces are stacked one atop another to establish internal vantage points  and framed views in and out of each space while creating a series of openings that filter light  and reorient visitors to the complex and beyond.  

The ground level’s main event space echoes the Temple dome by lowering its arc and extruding  it north across the site. The second level provides a more intimate chapel, and the trapezoidal  room frames the arched stained-glass windows of the historic Temple. The third void is a  sunken garden that opens up to the sky and leads to a rooftop with expansive views of LA, the  Hollywood sign, and the mountains to the north.  

The unique façade of the structure is crafted from 1,230 hexagonal panels of glass fiber  reinforced concrete (GRFC), affixed via cast-in-place clips on all six sides of the panel. The  tonality and materiality resonate with the tones and textures of the existing Temple and the  larger campus, enhancing the interior moments of color throughout the three main gathering  spaces; red seen in the Grand Ballroom, green in the Chapel, and blue notes throughout the  sunken garden, while the neutrality in the colors of the façade is enhanced by its texture and dynamic appearance depending on the time of day.  

Shohei Shigematsu, OMA Partner-in-Charge, says “The making of the Audrey Irmas Pavilion  sustained forward momentum through the COVID-19 Pandemic, a period in which the act of  human interaction was questioned and contemplated. Its completion comes at a time when we  hope to come together again, and this building can be a platform to reinstate the importance of  gathering, exchange, and communal spirit. We assembled a constellation of spaces, distinct in  form, scale, and aura—an extruded vault enveloped in wood establishes a multi-functional, central gathering space and connective spine; a trapezoidal void draws tones from the Temple  dome and frames its arched, stained-glass windows; and a circular sunken garden provides an  oasis and passage to a roof terrace overlooking LA. Three interconnected voids make the solid  form of the Pavilion strategically yet surprisingly porous, engaging the campus and the city. The  Pavilion will support both old and new activities, values, and traditions to foster a renewed  energy for gathering.” 

Rabbi Steve Leder states “We are thrilled to see the completion of the Audrey Irmas Pavilion  and with that, the completion of the Building Lives Campaign that included the plan to restore  our historic sanctuary, create state-of-the-art early childhood and elementary school buildings  and programs, a sports complex, a social services center to help our needy neighbors with food  

security, dental and vision care, legal aid and mental health services in Korean, Spanish and  English at no cost to them, parking, robust security for all, and finally the Audrey Irmas Pavilion.  With this modern masterpiece, the Temple brings another stunning, radiant landmark to our  community and the entire city of Los Angeles. The Pavilion further expresses our role as a  steadfast institution of learning, gathering, and giving. It is amazing to see this come to fruition  after so many years and to add the final, breathtaking building to our urban campus.” 

Pritzker Prize-winning architect Rem Koolhaas of OMA was also commissioned to design a  mezuzah for each door frame within the Pavilion. The purpose of the mezuzah is to act as a  constant reminder of God's presence, identifying Jewish homes as places of kindness, Torah,  generosity and peace. For their design, each individual letter atop each mezuzah called a shin,  was meticulously developed, hand-cut, filed and polished before being adhered to the mezuzah  crafted from aluminum foam and cast in colored resin. “I was both intrigued and challenged to  design the mezuzot for the doors within the Pavilion. It is an unexpected religious object having  to answer explicit religious edicts, laws and rules which made it totally fascinating for me and a  very good lesson to have at some point in my life.” says Rem Koolhaas. 

This revolutionary new building is also home to the Annenberg Foundation’s newest initiative of  chairman Wallis Annenberg, the Wallis Annenberg GenSpace. GenSpace is a new community  space for older adults that emphasizes wellness, connection, and lifelong learning through  innovative programs, partnerships, and a new national dialogue. “The Audrey Irmas Pavilion is a  model for the kind of change I try to bring to Los Angeles: it honors our past, it reinvents our  future, and it does so in a way that engages and embraces the whole community,” said Wallis  Annenberg, founder of GenSpace and Chairman, President and CEO of the Annenberg  Foundation. “To work with such extraordinary architects, people who understand how to  harmonize the modern and the historic, has been a revelation. To walk through the wonderful  new home for the Annenberg GenSpace — where we’re working to reimagine the very  experience of aging in America — is to find energy and inspiration in every step. Above all, our  goal is to reach and engage everyone in Koreatown with new ideas and creativity. We want this  Pavilion to be every bit as dynamic and interactive as the community it serves. I can’t wait for its  doors to open wide.” Wallis Annenberg GenSpace is also helping to reevaluate how society  views growing older by challenging stereotypes and combating ageism through convenings,  partnerships, and events that focus on a new way of looking at and talking about aging. 

Positioned on the Temple’s Erika J. Glazer Family Campus, the Audrey Irmas Pavilion will  provide a space for the Temple’s members and other organizations and community groups to  host events, meetings, and programs in a spectacular and inspiring architectural setting in the  heart of this dynamic city.